Experimentation is a part of rock and roll. The need to experiment, to create and the stretch the boundaries is essential. The overgrowing technology has certainly helped to the cause, without it rock and roll wouldn't be the same as it is today....
Inspired by the Beatles' 1965 release, Rubber Soul, Brian Wilson of the Beach Boys wanted to create the "greatest record ever". The result was Pet Sounds (1966), where Wilson's growing mastery of studio recording and his increasingly sophisticated songs and complex arrangements would reach a creative peak. Influenced by psychedelic drugs, Brian Wilson turned his attention inward and probe his deep-seated self-doubts and emotional longings. The album's meticulously layered harmonies and inventive instrumentation set a new standard for pop and rock music. Wilson was a pioneer of the 'studio as instrument' concept, exploiting novel combinations of sounds that sprang from the use of multiple electric instruments and voices in an ensemble and combining them with echo and reverberation. He often doubled bass, guitar and keyboard parts, blending them with reverberation and adding other unusual instruments. It remains one of the most evocative releases of the decade.
Sgt. Pepper's Lonely Hearts Club Band is the most important rock and roll album ever made, an unsurpassed adventure in concept, sound, songwriting, cover art and studio technology by the one of greatest rock & roll groups of all time. This album is also rock's ultimate declaration of change. For the Beatles, it was a decisive goodbye to matching suits, world tours and assembly-line record-making. Producer George Martin's innovative and lavish production included the orchestra usage and hired musicians ordered by the band. Genres such as music hall, jazz, rock and roll, western classical, and traditional Indian music are covered. Several then-new production effects feature extensively on the recordings. The use of multi-tracking , a new idea back then, is prevalent throughout the album...
Beginning with the sound of a heartbeat, Pink Floyd "Breathes" air into their 1973 release of the legendary The Dark Side of the Moon. Recorded in the famous Abbey Roads Studios between May 1972 and January 1973, the band were assigned staff engineer Alan Parsons (you know who he is) to oversee the recording of the Dark Side of the Moon. The recording sessions made use of some of the most advanced studio techniques of the time; the studio was capable of 16 track mixes, which offered a greater degree of flexibility than the eight- or four-track mixes they had previously used, although the band often used so many tracks that to make more space available second-generation copies were made. The sound effects on "Money" were created by splicing together Waters' recordings of clinking coins, tearing paper, a ringing cash register, and a clicking adding machine, which were used to create a 7-beats effects loop. An that's the tip of the iceberg...
No comments:
Post a Comment